Thursday, March 22, 2007

Louise reviews Ella:Princess, Saint and Martyr


Ella: Princess, Saint and Martyr by Christopher Warwick (2006) is the remarkable tale of Grand Duchess Elisabeth Feodorovna. Ella, as she was called, was the daughter of Princess Alice of Great Britain and granddaughter of Queen Victoria. Born into royalty and considered the most beautiful princess in Europe at the time, Ella's life is one marked by privilege, war, death, religious conversion, terrorism and sainthood. Warwick has authored previous best-selling biographies of British nobility and has an exquisite skill for breathing life into 19th century European history.
Under Warwick's pen, the life of the princess who would become a beloved saint of the Russian Orthodox Church is meticulously presented in a manner free from the gossip, innuendo and rumor. Although some reviewers do take exception to Warwick's treatment of historical fact as it relates to the Prussian Wars, his handling of the personal lives of these historical figures is sublime.
Ella married Grand Duke Serge Alexandrovich, fifth son of the then Russian Emperor Alexander II. It was Ella's younger sister Alexandra who was to later marry Tsar Nicholas II, thus becoming Russia's ill-fated Empress Alexandra. Tragically, it was the fate that Ella herself would share. In 1905, as revolution loomed in Russia, Serge was assassinated by the Bolsheviks; literally blown apart by a bomb thrown into his carriage.
Ella refused to leave Russia amid protests from friends and family. Intense religious conviction and an entrenched compassion to help the poor and suffering, which Ella had acquired from her mother Princess Alice, kept her from fleeing to safety after the revolution. In 1909 she established the first religious community of its kind in Russia, the Order of the Saints Martha and Mary. Her devotion was to the poor, sick and forgotten of Moscow. While considered a living saint to those she helped, she could not escape history and in 1918 she and the last surviving Romanov princes and sisters from her convent were executed in the pine forests of Sinyachikha two days after the execution of the Tsar, Tsarina and all members of the Russian Imperial family.
The reader cannot help but be mesmerized by the follies of Imperial narcissism in the face of Russia's famines reflected in this book. The rigid Victorian social tenets endured by so many and the complex arrangements of royal intermarriages. The book pulls the reader through some of the most momentous periods in history. The perspective is not merely regal as the reader also comes to understand the many class conflicts of the time. Warwick is attentive to courtly details and ceremonies, but refrains from being too tedious. It is the poignant and yet, melancholy gaze of Ella from the cover photograph that fixes the reader. We are drawn closer to her, and to her magnificently tragic life.

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